While this back-and-forth was going on, Matt ended up nabbing the lead role in the Francis Ford Coppola remake of the John Grisham novel The Rainmaker, which helped provide GWH with some street cred and seal in his potential as leading man material. The flick did eventually find its director, Gus Van Sant, and its other lead, Minnie Driver. Weinstein (and his then-company Miramax) did pick up Hunting, but from there it took so long to get the movie made that Ben and Matt ended up moving back to Boston. Ben's Chasing Amy director brought it to a guy we like to call Harvey Weinstein, and the rest, as they say, is Hollywood history. (After all, by this time they were no longer fully unknown: Ben had been in Dazed and Confused and Chasing Amy, and they had both done School Ties). This wasn't flying with our men from Boston, so they enlisted some help from the few Hollywood cronies they had. The other differences involved who would star in GWH, or, in short, who would stay in it that wasn't Ben Affleck or Matt Damon. Robin Williams), and we can all agree that was easily the strongest plot. Castle rock steered the movie towards Will's relationship with his therapist (a.k.a. As Damon and Affleck told Boston Magazine, the original script had a lot of thriller-esque aspects relating to Will Hunting's job offer from the NSA. The production company Castle Rock Entertainment won, if you will, and did as production companies do-they asked for a total rewrite and then almost ran the movie to the ground with its.let's just call them creative differences.Īlthough, to be fair, it sounds like that rewrite was a pretty good idea. Word of this gem of a flick spread like wildfire and eventually caused a bidding war for the rights. But back in the mid-90s things worked a little differently-and the script for Good Will Hunting was different. Anyone in Hollywood will tell you that actually finishing the script is the easy part it's the actual getting-it-made (or rather, finding somebody to get it made) is nearly impossible.
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